Tag Archive | Review

The Yellow Rose: La Favorite at Caramoor

As an audience member, it’s very easy to see an opera, especially one performed in concert, enjoy it, and think, “Why isn’t this piece done more?” Often, there are some clear reasons why. Sometimes it’s staging difficulties with what an opera calls for. Sometimes it’s a part that poses specific casting problems. Donizetti’s La Favorite, […]

The Light in the Piazza: New Productions of Cavalleria Rusticana & Pagliacci at the Met

The Light in the Piazza: New Productions of Cavalleria Rusticana & Pagliacci at the Met

You can read my review of the Met’s new productions of Cavalleria Rusticana and Pagliacci at the Metropolitan Opera here on the Huffington Post. Cavalleria Rusticana and Pagliacci run through May 8th at the Metropolitan Opera. Tickets are available here. Photo: Metropolitan Opera/ Cory Weaver

Sight but no Vision:”Iolanta” and “Bluebeard’s Castle” at the Met

Double bills are a common phenomenon in the opera world. The most famous two are the pairing of Cavalleria Rusticana/Pagliacci and the best pairings of operas offer either a stark contrast between the pieces-highlighting what makes each piece different and worthy of viewing in a new light- or complement each other, showing that two works […]

Desperate Housewife: Lady Macbeth of Mtensk at the Metropolitan Opera

Desperate Housewife: Lady Macbeth of Mtensk at the Metropolitan Opera

Last night, the Metropolitan Opera brought back its 1994 production of Lady Macbeth of Mtensk for the first time in nearly 15 years. You can read my review about it here, on Parterre. Enjoy! Photo: Ken Howard/Metropolitan Opera

Parts of Their World: Rusalka at the Metropolitan Opera in Review

The Met is frequently criticized as a repertory house, unadventurous and conservative in its programming and casting. There are definitely aspects of that which are true(And were particularly prevalent during Joseph Volpe’s management.), but during Volpe’s management, the Met championed a very select number of non-standard repertory operas. Among these are Zandonai’s “Francesca da Rimini”, Giordano’s […]

Straussathon 2013: Die Frau Ohne Schatten and Der Rosenkavalier at the Metropolitan Opera

First, I’d like to apologize for the extended absence. I don’t think I’ve ever taken this long to update, and I’m sorry about that. School is intense this year, and I’ll try to keep a more regular pace. With 2013 being the bicentennials of both Verdi and Wagner, you’d expect Wagner to get top billing […]

NYCO Says, “Ta-Ta”: New York City Opera’s Final Performance of Anna Nicole in Review

There were tears from the cast during the curtain calls after Saturday, September 28th, New York City Opera presentation of Anna Nicole. Not only because it was the final performance of the run, but mostly because this co-presentation with Brooklyn Academy is the final production that New York City Opera, a 70 year old institution, […]

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