Amidst opulent, savage, dynamically varied music and arresting moments, innovative uses of the orchestra, and wide-ranging vocal writing, Adès opted to forsake the satire in Buñuel’s film for its darkness.
You can read my review of the Met’s new productions of Cavalleria Rusticana and Pagliacci at the Metropolitan Opera here on the Huffington Post. Cavalleria Rusticana and Pagliacci run through May 8th at the Metropolitan Opera. Tickets are available here. Photo: Metropolitan Opera/ Cory Weaver