Metropolitan Opera

Sight but no Vision:”Iolanta” and “Bluebeard’s Castle” at the Met

Double bills are a common phenomenon in the opera world. The most famous two are the pairing of Cavalleria Rusticana/Pagliacci and the best pairings of operas offer either a stark contrast between the pieces-highlighting what makes each piece different and worthy of viewing in a new light- or complement each other, showing that two works […]

Opening Night at the Met: Everything you need to know

After cast changes, director changes, and a union crisis that almost toppled the season, it feels good to say(er, write), with certainty, that Opening Night at the Met is finally here! For those unaware, tonight’s performance is Mozart’s “Le Nozze di Figaro” in a new production by Richard Eyre with sets by Rob Howell. The […]

Met 2014-15 Season Predictions- Part 2

Part 2! The Merry Widow: I’m glad the Met has realized that cheerful operettas are the best choice for New Year’s Eve performances. Tony-winner Susan Stroman’s new production opens with Renee Fleming as Hanna and Broadway debutant and personal favorite Kelli O’Hara as Valencienne in a cast that also stars Nathan Gunn and Alek Shrader. […]

Met 2014-15 Season Predictions- Part 1

Opening night at the Met is one of my favorite days of the year. A new season connotes discovery, excitement, and a whole other slew of exciting performances to look forward to. Especially after the Met’s unusually long summer break, a new season brings back that sense of currency and anticipation to the opera community. […]

Straussathon 2013: Die Frau Ohne Schatten and Der Rosenkavalier at the Metropolitan Opera

First, I’d like to apologize for the extended absence. I don’t think I’ve ever taken this long to update, and I’m sorry about that. School is intense this year, and I’ll try to keep a more regular pace. With 2013 being the bicentennials of both Verdi and Wagner, you’d expect Wagner to get top billing […]

Opening Night at the Met: Post-Performance Wrap Up

Opening night at the Met for the 2014-2014 season has finally come to a close. If this is a bellwether for the rest of the season, then we’re going to have a fantastic eight months. Alexei Tanovitski was only ALRIGHT as Prince Gremin. While all the notes were there and he has some great low […]

Opening Night at the Met: Intermission #2

Act 2 of Onegin just finished and it’s easy to hear the marked improvement in Kweicien’s voice. There’s more action in this act, and he’s delivering the drama. Monsieur Triquet’s aria was appealing, but the comedic wobble got to be a little much at times. Piotr Beczala gave a beautifully sung and emotionally charged performance […]

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