Archive | October 2016
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Working with an ensemble that obviously had deep feeling for the music, Noseda drew thoughtful, balanced playing from the utterly responsive LSO. All throughout, his controlled-yet-fluid conducting reflected the grandiose scale of the piece, a monumental expression of mourning and human confrontation with death.
With the white-knuckled Karita Mattila playing the upright, deeply conflicted Kostelnicka, it simply isn’t possible to look away.
Washington National Opera opened its 2016-17 season last week with an uneven, unjaded, if not unenjoyable, performance of Mozart’s The Marriage of Figaro that just couldn’t turn separate “jinx” from the desired “hijinks.”